He explains how his design work led him into something unexpected: sacred geometry. Every project kept revealing the same fundamental shapes, the same underlying patterns governing structure and function. It wasn't random. These geometric forms seemed to dictate how things wanted to be built, how they naturally organized themselves. That observation became more than professional curiosity, it became a full research focus. After leaving the business world entirely, he dedicated himself to understanding why specific geometries produce specific effects. What is it about these forms that makes them appear across disciplines, across scales, from molecular structures to cathedral architecture? The question points toward principles that transcend human invention, patterns embedded in the fabric of reality itself.